Arbutus Folk School
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  • Search
  • Menu Menu
  • Home
  • About Us
    • About Arbutus Folk School
    • 2024 Annual Report
    • Board & Staff
    • Now Hiring
    • Instructor Bios
    • Partnerships & Special Programs
    • Support Arbutus Folk School
    • FAQs
  • Craft Classes
    • Upcoming Classes
    • Cancellation & Participation Policies
    • Code of Conduct
    • Incident Report Form
    • Private Workshops
    • Gift Certificates
  • Programs
    • Upcoming Classes
    • Open Ceramics Studio
    • Open Woodshop
    • Scholarships
    • Olympia Old Time Music Festival
    • Artist Residencies
    • Folk and Traditional Arts
    • Open Mic Night
    • Olympia Woodworkers Guild
  • Services
    • Firing Services
    • Event Rentals
    • Studio & Office Rentals
    • Private Lessons
  • Support Arbutus Folk School
    • Make a Donation
    • Sponsorship
    • Founder’s Fund
    • Wish List
    • Volunteer With Us

Arbutus Folk School Artists in Residence

Arbutus Folk School offers one-year residencies for Olympia-area artists to gain professional skills, build up their body of work, and develop their craft through access to space, equipment, and an artistic community. This is an unpaid, volunteer-exchange program operating on a rolling basis. Artists in Residence support our operations, have 24/7 access to our downtown Olympia facility, and have the opportunity to create on-site exhibitions, events, and sales to showcase their work to the public. 

Current residency opportunities at Arbutus Folk School are focused in ceramics, woodworking, and fiber arts. All interested artists over the age of 18 are eligible and highly encouraged to apply to our residency programs. We prioritize applications from BIPOC and LGBTQ artists, along with artists who have limited access to studio space and equipment.  Reach out to our staff with questions and curiosity at info@arbutusfolkschool.org.

Please note that artists in residence use our fully-equipped school facilities as their work-space and must share these spaces with ongoing class schedules. This is a work-exchange model in which the resident artist is expected to contribute to the operations of the school as a part of their residency experience. Resident artists should expect to spend a minimum of 15 hours per week on-site, from art-making to organizational support. Please also note that our facilities include areas only accessible by stairs/non-ADA ramp, and that resident artists may at times be using ladders and lifting weights of 50 pounds (boxes of clay) or more (buckets of clay slop).

2026 Residency Applications have Closed.

Sample Timeline
September: applications open
October: deadline to submit applications
October-November: review of applications, interviews
November: selected artists are notified
Residency dates: January through December

To Apply:

  1. Review residency agreement and expectations – sample document here.
  2. Complete the application (opening September 2026)

Selection criteria include artistic skills and commitment to creative practice, availability to meet expectations for the position, and positive, collaborative working style. Questions: info@arbutusfolkschool.org

The Arbutus Folk School artist residency granted me the space to unfold as an artist. Being immersed in their learning community was an unforgettable and life enriching experience. The staff, volunteers, and artists that I met during my residency have made this experience invaluable. In tandem to doing a deep dive into my personal practice I learned so much about what it takes to operate, maintain, and care for a studio. The skills that I have learned here will support me as I pursue my journey as a ceramic artist.”
Jessie Knorr, 2024 Resident Artist (Ceramics)
  • Morgan Kloble

     

    Ceramics

    Morgan Koble is a ceramicist who has been working in the medium of clay for about five years now. Primarily she enjoys making functional pottery with sculptural/whimsical elements, always looking to push pieces to see how chaotic they can be while still being usable. After taking a community college enrichment course in beginners’ ceramics, Morgan transitioned from a weekly hobby, to daily, then part time, to their current full-time position as a self-employed ceramicist.  

    Prior to these ceramic opportunities, she received her B.S. in Geosciences and worked varying jobs in geography and natural sciences, which built a practical and technical knowledge base that now plays a role in their hands-on work in clay. 

  • Matao Livingearth

     

    Ceramics

    Matao Livingearth is a relationship and empowerment coach who has been living in Olympia with his beloved Lucé and their two dogs since 2023. Arbutus Folk School’s open studio space has offered him a nourishing return to ceramics after many years away. Matao’s creations as an artist in residence will be used in ritual gatherings, community grief healing, cacao ceremonies, and more. Matao’s time in the studio offers him a balancing, creative, and regenerative outlet while holding space for others. Matao is additionally enthused to be sharing the 2026 artist in residence cohort with his beloved Lucé. They will have the opportunity to collaborate on projects while also enjoying shared creative space for individual works. Matao looks forward to building both an artistic and healing community through his time as an artist in residence. https://www.empoweredconnectionscoach.com/ 

  • Lucé Luna

     

    Ceramics

    Music acts as a compass on Lucé’s path.  She grew up around a lot of eclectic music, and at a young age was a part of an Afrikan dance and drum collective.  It was a family, and a beautiful model of community made through music.  It was her elder and Uncle Tyrone Cato who introduced her to Udu’s~ the first ceramic instrument she fell in love with.  It is a traditional Nigerian drum that holds the depths and tones of water dropping within a cave.  
    When Lucé found Arbutus with her beloved, Matao, she began hand building seed pods.  Specifically Cacao pods, for they are the fruit whose seeds are ground into something so widely consumed yet not as widely seen; Chocolate.  Cacao has also been a big part of her life, connecting her closely with her Abuelita whom she never got to meet.  That awakened in her,” what if I could make these seeds make sound?”~ which got her thinking about ceramic instruments in the world….Which reminded her of her Uncle Tyrone.

    Udus. She would start there.  And my goodness does she love some rhythm.  
    Music is a universal language, and truly brings people together.  Just like music, moving with clay touches something ancient within Lucé.  It strikes a similar chord to working with soil and sowing seeds. She is most interested in the practices that bring herself and others back home to themselves and invokes ceremony and ritual.  This is medicine.   To have the honored opportunity to be an Artist in Residence means a lot to her. During this AIR, her aim is to bridge her passions through creating ceramic instruments that are both traditional as well as new that can also serve as talisman.  She looks forward to this time of great listening.

  • Kait Leamy

     

    Fiber Arts

    I have been a life long fiber crafter, learning to knit from my granny as a kid and dabbling over the years in needle crafts like embroidery and hand sewing. I took a weaving class as an “easy credit” my senior year at Earlham College and it immediately consumed my entire life, and I have been weaving whenever I have had the opportunity over the last ten years since then. I have recently started to learn how to spin, which has been a delightful new addition to my fiber crafting repertoire. I love to blend beauty with utility, making mostly house hold items out of all natural materials.

  • Devin Felix

     

    Woodworking

    Devin Felix is a woodworker, woodturner, and carver who specializes in creating functional furniture and other objects with playful, inventive designs. His work incorporates a range of techniques, including hand-joinery, hand-carving, parquet veneering, kumiko, upholstery, steam-bending and others. His woodworking education began at Arbutus Folk School nine years ago.  

    Devin’s work has been featured in Fine Woodworking magazine. He spent the summer of 2025 at the Center for Furniture Craftsmanship in Rockport, Maine, including 10 weeks as a workshop assistant and five weeks in the school’s Fellowship Program. He has been a presenter at meetings of the Olympia Woodworkers Guild. 

    In addition to woodworking, Devin is a photographer, videographer, filmmaker, musician and writer. He also likes to dabble in sewing, needle-felting, cyanotype printing, origami, and pretty much any other craft he can get his hands on. He’s thrilled to be back where his woodworking journey began and to be part of the Arbutus community again. Find him on Instagram at @SpeakoftheDevin.

     

  • Annea Umayam

     

    Ceramics


    Annea Umayam is a mother, ceramist, and cultural clay researcher of multicultural ancestry (
    Iluko, Sambal, Finnish, British). She has been hand building with clay since 2015, after seeing her first Ilokano clay pot that belonged to her great grandmother in northern Luzon. To Annea, clay from the earth is a living sacred being. Her practice is influenced by her interests in geology, ecology and anthropology. Her creations range from whimsical to spiritual. Annea is participating in the Arbutus artist residency to grow her knowledge, skills, and community.
     

  • Maia Erickson

     

    Ceramics

    Maia Erickson is an artist and farmer from Olympia, WA. She has worked with clay since 2015 and developed her practice through a rich medley of community programs, ongoing education, regional firings and national workshops. She makes work within the bustling rhythm of her home and farm, in the company of two large dogs, three other adults, two goats, a horse, and about a thousand chickens. 

  • Rhiann Black

     

    Ceramics

    “I am a ceramic artist based in Olympia. As a ceramicist, I am inspired by the freedom that the
    medium of clay provides. My work includes both thrown forms and sculpted pieces, exploring
    the way clay moves when different techniques are used. I am passionate about making art that
    can be incorporated into everyday life and bring a bit of beauty and reflection to passing
    moments. I am honored to be granted the opportunity for this residency, and intend to use this
    time to develop my style, build up my body of work, and connect with the local artist community.”
    -Rhiann Black

  • Bella Wood

     

    Fiber

    “I learned to knit at age 4, I learned to sew by hand at age 8. I spent one year at Seattle Central College’s apparel design program learning fashion design and couture sewing. Last year I began learning from Susan Pavel at the Evergreen State College, where I completed a sheep to shawl program and learned to process raw fleece, Salish spindle whorl spinning, natural dyeing, and weaving on a Salish loom.

    In the last year, in my free time, I have also tried drop spinning, back strap weaving, and weaving on a frame loom. I want to learn as much as I can. My passion for fiber arts comes from my love for history and the stories of the past and my love for the touch of fibers and using them with purpose. I’m very in love with historical and, especially, ancient/archaeological methods and remains of fiber and textiles.“  -Bella Wood

  • Jessie Knorr

    Ceramics

  • David Calderon

    Ceramics

    Milestone Content goes here

  • Josh Goodwin

     

    Woodworking

    “I am an interdisciplinary artist living in Olympia, WA, where I got my BA in Fine Woodworking from The Evergreen State College. My relationship with my art represents a response to a separate yet parallel lifelong cycle of destruction and reconstruction of identity, driven by the compounding impacts of complex trauma and masking of neurodivergence on my sense of self via the obfuscation, suppression, and erosion of identity. In my process of creation, I work to take control over this cycle; to selfdestruct – intentionally – so that I can remove the unintentioned, unhelpful coping mechanisms I’ve developed, discover and embrace those which are healing, and holistically reconstruct. At Arbutus, I aim to continue this endeavor, to explore creation as a means of mourning, and to engage with this process under principles of transience and flow; to approach love, beauty, and life with the knowledge that they are not to be controlled or possessed. Rather, that they are most fully and purely experienced by allowing them to naturally flow through and interact with oneself, however that may be. I also studied and have had a lifelong passion for creative writing, which I hope to incorporate in my work alongside, perhaps with a little luck, my love for music composition.” Contact Josh here.

  • Rhea Moon

     

    Woodworking

  • Irene Weber

     

    Fiber

  • Elizabeth Mauro

     

    Ceramics

  • Kelsey Magnuson

     

    Fiber

  • Hyung Mo Chu

     

    Ceramics

  • Eva Leach

     

    Fiber

  • Lindsey Warner

     

    Ceramics

  • Angelina Canepa

     

    Ceramics

  • Natalie Coblentz

     

    Wood

  • Francis Fong

     

    Wood

  • August Davis

     

    Ceramics

  • Claire Muehleisen

     

    Ceramics

  • Andritta Bernstein

     

    Ceramics

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Arbutus Folk School

705 4th Ave E, Ste 101
Olympia, WA 98506

info@arbutusfolkschool.org

(360) 350-0187

Walk-In Hours: 11am-2pm daily.
Drop in for a tour and more.

Hours of Operation: 9am–9pm every day.
Class schedules vary. See catalog for current classes
Open Shop | Open Studio

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